Global Dunk Empire
Global Dunk Empire performance photograph used on the company booking page

Booking

Book the crew— here is exactly how

There is one official booking channel and two published email addresses. This page tells you what each one is for, what to put in the message, and what the business has and has not published about money.

70+ countries3 years Harlem Globetrotters2× Guinness World Records Slamma Jamma (2017) — lead roleAmerican Ninja Warrior ×2 FIBA 3x3 dunk champion989K YouTube subscribersBased in Los Angeles

Channels

Three published routes in

Primary

The booking form

globaldunkempire.com/hire-us — live, HTTP 200. The company’s own instruction: “Contact us via the form below for bookings, events, partnerships and inquiries.”

Fields, all required: First Name, Last Name, Email Address, Subject, Message.

Direct

Slam dunk gigs

globaldunkempire@gmail.com

Published on the YouTube channel as “Slam Dunk Gigs”, on the link-in-bio page, and in the @globaldunkempire Instagram bio.

Brands

Brand deals & management

staples@longhaulmgmt.com

Published on the YouTube About section: “Brand Deals please email”. Use this one for sponsorship, endorsement and campaign work rather than for a single event.

There is no phone number and no online checkout

No telephone number, business address, WhatsApp line, calendar link or self-serve booking checkout is published for Global Dunk Empire anywhere. A phone or address is not published — request one by email if you need it. Nothing can be paid for online; every engagement is quoted individually.

Make the quote fast

What to put in the message

The form gives you one free-text box. These are the details a touring performance crew has to have before it can price anything — putting them in the first message saves a round of emails.

The essentials

  • Date and time, plus how flexible each is.
  • City, venue and country. Travel is a real cost line for a crew that works internationally.
  • Format — corporate, birthday, grand opening, dunk contest, camp, appearance, signing or school.
  • Audience size and age range. School bookings should say which grade levels.
  • Indoor or outdoor, and whether there is a regulation rim or space for a portable one.

The things that change the price

  • How long you want the crew on site.
  • How many dunkers you want, if you have a preference.
  • Meet-and-greet or signing attached to the show.
  • Filming and usage rights — whether you intend to record it and where the footage will run.
  • Your budget range. With no public rate card, saying your number first is the quickest way to a straight answer.

Straight answer on money

What is published about fees

Nothing. That is the honest and complete answer, and it is worth stating plainly rather than implying a range.

Commercial termPublished?
Show fee / day rateNot published — quoted on enquiry
Package tiersNot published
Deposit amount or scheduleNot published
Travel, flights and accommodationNot published — assume billed separately, confirm in writing
Minimum bookingNot published
Accepted payment methodsNot published
Cancellation and reschedule termsNot published — see Cancellation
Insurance and liabilityNot published
Response time on enquiriesNot published

Because none of this is public, get every commercial term in writing before you pay anything. A short written confirmation covering fee, what is included, travel, deposit, cancellation and who carries insurance protects both sides.

Ready when you are

Send the date, the city and the format. That is enough to start.