Booking
Book the crew— here is exactly how
There is one official booking channel and two published email addresses. This page tells you what each one is for, what to put in the message, and what the business has and has not published about money.
70+ countries3 years Harlem Globetrotters2× Guinness World Records
Slamma Jamma (2017) — lead roleAmerican Ninja Warrior ×2
FIBA 3x3 dunk champion989K YouTube subscribersBased in Los Angeles
Channels
Three published routes in
Primary
The booking form
globaldunkempire.com/hire-us — live, HTTP 200. The company’s own instruction: “Contact us via the form below for bookings, events, partnerships and inquiries.”
Fields, all required: First Name, Last Name, Email Address, Subject, Message.
Direct
Slam dunk gigs
globaldunkempire@gmail.com
Published on the YouTube channel as “Slam Dunk Gigs”, on the link-in-bio page, and in the @globaldunkempire Instagram bio.
Brands
Brand deals & management
staples@longhaulmgmt.com
Published on the YouTube About section: “Brand Deals please email”. Use this one for sponsorship, endorsement and campaign work rather than for a single event.
There is no phone number and no online checkout
No telephone number, business address, WhatsApp line, calendar link or self-serve booking checkout is published for Global Dunk Empire anywhere. A phone or address is not published — request one by email if you need it. Nothing can be paid for online; every engagement is quoted individually.
Make the quote fast
What to put in the message
The form gives you one free-text box. These are the details a touring performance crew has to have before it can price anything — putting them in the first message saves a round of emails.
The essentials
- Date and time, plus how flexible each is.
- City, venue and country. Travel is a real cost line for a crew that works internationally.
- Format — corporate, birthday, grand opening, dunk contest, camp, appearance, signing or school.
- Audience size and age range. School bookings should say which grade levels.
- Indoor or outdoor, and whether there is a regulation rim or space for a portable one.
The things that change the price
- How long you want the crew on site.
- How many dunkers you want, if you have a preference.
- Meet-and-greet or signing attached to the show.
- Filming and usage rights — whether you intend to record it and where the footage will run.
- Your budget range. With no public rate card, saying your number first is the quickest way to a straight answer.
Straight answer on money
What is published about fees
Nothing. That is the honest and complete answer, and it is worth stating plainly rather than implying a range.
| Commercial term | Published? |
| Show fee / day rate | Not published — quoted on enquiry |
| Package tiers | Not published |
| Deposit amount or schedule | Not published |
| Travel, flights and accommodation | Not published — assume billed separately, confirm in writing |
| Minimum booking | Not published |
| Accepted payment methods | Not published |
| Cancellation and reschedule terms | Not published — see Cancellation |
| Insurance and liability | Not published |
| Response time on enquiries | Not published |
Because none of this is public, get every commercial term in writing before you pay anything. A short written confirmation covering fee, what is included, travel, deposit, cancellation and who carries insurance protects both sides.
Ready when you are
Send the date, the city and the format. That is enough to start.